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Salzburg’s Rheingold is so visually loud it almost drowns out the music — review

Kirill Serebrennikov’s lavish production makes lazy use of African and Asian imagery while Kirill Petrenko elicits rigorous playing in the pitLife & Arts

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https://www.ft.com/content/198fa3a0-fbba-4ff5-8683-7676d079eee1?segmentId=776b81d7-dd92-c731-e669-99cdd37d3a96#myft:my-news:rss
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